process

My taller (studio), Tumbén-Ka, Tulum, Mexico, 2022

As a wood sculptor, my process is both challenging and deeply rewarding. Each piece begins with the selection of wood, often sourced from fallen trunks in the surrounding jungle. Every tree carries its own history, density, and character, which ultimately shapes the final work.

Once the wood is chosen, I begin by sketching and responding to the natural form of the material. This stage allows the sculpture to reveal itself gradually, guiding decisions before carving begins. From there, I work slowly and intuitively, carving away the wood to uncover the figure within.

Patience and precision are essential throughout the process. I use a range of hand tools — chisels, gouges, and sandpaper — to build texture, depth, and presence. The work evolves over time, shaped by both intention and the material itself.

As a piece nears completion, I step back to observe and refine, making subtle adjustments until it feels resolved. The result is a singular sculptural form, shaped by place, process, and careful attention — a practice that continues to challenge and inspire me.